The Secret of Bay 5B: Music, Art and Literary References.

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Hello one and all and welcome to my latest in a series of posts regarding the music, art and literary references in the Morse episodes.

To read my review of this episode click here. I have of course added the information here to the review which was written some two years ago.

Once I have finished with each series I will post a downloadable excel sheet for each category; music, art and literary references. This would allow everyone who downloads said excel sheets to print them off for personal use. Hopefully, having these print outs next to you while you watch the episode will be of help in identifying your favourite pieces of music from all three series. In the same vein the downloadable excel sheets will I hope help in your enjoyment and appreciation of the art and literary references used in all three series.

Of course I am not infallible (I know I was shocked to realise that trait in myself😉 ) so if you should spot an error or omission then please let me know and I will update my post with the new information.

The time of the pieces of music et cetera are based on the British DVD versions of the shows. However, the times shown should not be to dissimilar from other countries versions or should be easy to pinpoint what I am referring to and when.

The Secret of Bay 5B – Series 3, Episode 4.

Chronologically this was episode 11.

MUSIC

00h03m00s

Before Rosemary Henderson (played by Mel Martin) visits the gym she decides to go for a drink.

vlcsnap-2017-02-07-19h44m20s465

While there the BBC 4 radio drama The Arches starts and its very familiar theme plays.

Barwick Green” is the theme music to the long-running BBC Radio 4 soap opera The Archers. It is a “maypole dance” from the suite My Native Heath, written in 1924 by the Yorkshire composer Arthur Wood, and named after Barwick-in-Elmet, east of Leeds, West Yorkshire.

00h03m44s

The music being played as we join what appears to be a policeman’s ball. There are two pieces played by the band but i’m afraid I don’t recognize them. They may of course have been written by Barrington Pheloung.

00h13m01s

In Morse’s house we find him sitting at home listening to opera. Specifically he is listening to Richard Wagner‘s (1813 – 1883) Parsifal. Specifically the Prelude to Parsifal.

01h38m44s

We are back in Morse’s house but this time he has the company of Dr Grayling Russell.

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They are listening to a quick step which again I cannot identify.

If you enjoy all the music from the Morse series I have collected all the pieces I have identified thus far and have created playlists on YouTube. On how to access these playlists please read the relevant post by clicking here.

Or click here to my Youtube channel where you will find the music of Morse and Endeavour contained in playlists.

ART

00h30m48s

We are in the house of Brian and Fran Pierce. Specifically we are in Brian’s room cum gallery.

Morse is looking intently at one particular painting which he identifies as Romney Marsh. Brian Pierce identifies the artist as Inchbold.

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However, the painting, on the left, is not by John William Inchbold (1830 – 1888) and he never painted anything titled Romney Marsh. In fact it is a very bad print of View near Sefton by the British artist John Edward Newton (1834–1891)

view-near-sefton-john-edward-newton-private-collection-on-loan-to-williamson-art-gallery-and-museum-birkenhead-wirral-museums-service-1456237095-article-0

The painting to the right of Morse in the screen capture above, I am not so sure of. I believe it might be a pastiche of Edward Burne-Jones’ (1833 – 1898) painting Flamma Vestalis.

flamma-vestalis-edward-burne-jones-1896-823dd4c2

In the same scene the camera pans around of the walls showing a few other paintings. First up is this one;

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The above is Val d’Aosta by John Brett (1830-1902)

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Next up we have two paintings.

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The one at the top is Greenwich Park by JOHN WILLIAM INCHBOLD, (1830-1888). Now we have an Inchbold. 🙂greenwich-park-by-john-william-inchbold

The painting seen at the bottom of the screen grab above is Golden Prospects, St Catherine’s Well, Land’s End, Cornwall by John Brett (1831 – 1902) CMN95623 Golden Prospects, St. Catherine's Well, Land's End, Cornwall, 1881 (oil on canvas) by Brett, John (1831-1902) oil on canvas 106.7x214 Nottingham City Museums and Galleries (Nottingham Castle) English, out of copyright

Literary References.

I’m afraid I didn’t notice any. If any of you lovely blog readers do encounter some in this episode let me know.

We have come to the end of another post. I hope you not only enjoy the post but that it may help to enjoy the episode a little more when re-watched. Take care everyone.

 

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